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English: The emblem of Luigi, appearing on his hat. Español: El emblema que porta Luigi en su gorra es utilizado en múltiples juegos para relacionarlo a su vestimenta y a su nombre. Português: O emblema do personagem Luigi, como aparece em seu chapéu.
Princess Daisy (Japanese: デイジー姫, Hepburn: Deijī-hime, pronounced [deːʑiː çime]) is a princess character in the Mario franchise. She debuted in the 1989 Game Boy launch game Super Mario Land as the ruler of Sarasaland where she was given the role of damsel in distress for Mario to rescue.
While it has not been made official, Daisy has been rumored to be Luigi's romantic interest. In Mario Kart Wii they are seen in statue dancing together. She was his caddy in NES Open Tournament Golf, [13] as Peach was to Mario. Also on Daisy's trophy in Super Smash Bros. Melee, it says that she is possibly Luigi's answer to Mario's Peach. [14]
Holbein's The Ambassadors (1533) is a complex work whose iconography remains the subject of debate.. Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style.
Agnifilo's wife, Karen Friedman Agnifilo, has now reportedly been retained to represent Luigi Mangione—the 26-year-old accused of assassinating UnitedHealthcare CEO Brian Thompson—in New York.
The first couple delivered remarks and served food at a "Friendsgiving" event with service members and their families at the U.S. Coast Guard Sector New York in Staten Island as part of the first ...
Accused UnitedHealthcare CEO killer Luigi Mangione spent his first night back in the Big Apple under the same NYC federal prison as disgraced rap mogul Sean "Diddy" Combs.
The 3rd century Christian martyr Saint Sebastian is one of the earliest known gay icons, [3] due to his depiction in artwork as a beautiful, agonised young man. [4] Historian Richard A. Kaye states that "Contemporary gay men have seen in Sebastian at once a stunning advertisement for homosexual desire (indeed, a homoerotic ideal), and a prototypical portrait of a tortured closet case."