enow.com Web Search

Search results

1. Results from the WOW.Com Content Network

2. Sixteen-bar blues - Wikipedia

   en.wikipedia.org/wiki/Sixteen-bar_blues

   The sixteen-bar blues can be a ... One adaptation extends the first section of tonic chords (bars 1–4) by doubling or repeating to become the first half (bars 1–8 ...

3. V–IV–I turnaround - Wikipedia

   en.wikipedia.org/wiki/V–IV–I_turnaround

   This is a plagal cadence featuring a dominant seventh tonic (I or V/IV) chord. However, Baker cites a turnaround containing "How Dry I Am" as the "absolutely most commonly used blues turnaround". [5] Fischer describes the turnaround as the last two measures of the blues form, or I 7 and V 7, with variations including I 7 –IV 7 –I 7 –V 7. [6]

4. Twelve-bar blues - Wikipedia

   en.wikipedia.org/wiki/Twelve-bar_blues

   Dominant 7th chords are generally used throughout a blues progression. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. minor and diminished 7ths) are often used just before a change, and more changes can be added. A more complicated example might look like this, where "7" indicates a seventh chord:

5. Equinox (composition) - Wikipedia

   en.wikipedia.org/wiki/Equinox_(composition)

   "Equinox" is a minor blues [1] jazz standard by American jazz saxophone player and composer John Coltrane. It was originally released on Coltrane's Sound [2] played in C # minor with a slow swing feel. However, it is usually played in C minor.

6. Comping (jazz) - Wikipedia

   en.wikipedia.org/wiki/Comping_(jazz)

   "Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.

7. All Blues - Wikipedia

   en.wikipedia.org/wiki/All_Blues

   It is a twelve-bar blues in 6 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord. In the composition's original key of G this chord is an E ♭ 7. "All Blues" is an example of modal blues in G Mixolydian. [2] [clarification needed]