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"I Will" is a song by the English rock band the Beatles, from their 1968 double album The Beatles (also known as "the White Album"). It was written by Paul McCartney (credited to Lennon–McCartney) and features him on lead vocal, guitar, and "vocal bass".
The A 7 chord is an example of a secondary dominant, specifically a V/vi chord. The G 7 chord in the bridge is another secondary dominant, in this case a V/V chord, but rather than resolve it to the expected chord, as with the A 7 to Dm in the verse, McCartney instead follows it with the IV chord, a B ♭.
The unusual chord progression is an example of the Beatles' use of chords for added harmonic expression, [28] a device that Harrison adopted from Lennon's approach to melody. [29] Musicologist Walter Everett describes the composition as "a tour de force of altered scale degrees". He adds that, such is the ambiguity throughout, "its tonal ...
"She Said She Said" is in the key of B ♭ Mixolydian, based on three chords: B ♭ (I), A ♭ (♭ VII), and E ♭ (IV). [37] The key centre shifts to E ♭ major during the bridge sections by means of an F minor (v) chord, a pivot chord that the Beatles had used to modulate to the subdominant before on "From Me to You" and "I Want to Hold ...
[7] [8] Author Ian MacDonald speculates that the guitar arpeggios at the end of the track were influenced by "I Want You (She's So Heavy)" and the middle section of "Here Comes the Sun", and that the overall structure was inspired by Lennon's "Happiness Is a Warm Gun" from the previous year's album The Beatles, which also joined unrelated song ...
This, after a repeat, segues easily into a second bridge melody, which is based on a simple IV-V-I chord progression that passes through the dominant key to resolve back on the verse. [1] The song has characteristics typical of Harrison's writing style in its syncopated melody line [22] and melodic idiosyncrasy. [23]
Influenced somewhat by the Shirelles, [3] "When I Get Home" is essentially a rock and roll number, but with unusual chord progressions. Lennon liked this particular ploy, and used it on many of his songs at the time. Typical also of this period of the Beatles is the vocal leap into falsetto.
You're back again. No/(Bm) no no/(D7) not a second time"/(Em). Pedler writes: "We are expecting the D7 chord, the dominant in the key of G, to return to the G major tonic". However, in replacing it with an Em chord supporting an isolated E note on "time", we have an interrupted cadence or dominant-to-relative sub-minor (V7 to vi) shift.