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The writer-director of 'Tár' on why the end credits of the movie play ... The way in which both Lydia Tár the character and “Tár” the film are so hard to pin down, refusing easy ...
Tar was an American post-hardcore band, formed in 1988 in Chicago. Throughout their career they released four studio albums, two extended plays, and a number of singles before breaking up in 1995. Throughout their career they released four studio albums, two extended plays, and a number of singles before breaking up in 1995.
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MusicHound Rock: The Essential Album Guide praised the album's "stripped down" sound and "new, menacing darkness." [4] The Chicago Reader wrote that "Mark Zablocki and front man John Mohr lock their lean, meaty guitars together into unfussy dual riffs, simultaneously neat and jagged, that add an extra jolt of momentum to the precise, bulldozer-simple pounding of drummer Mike Greenlees."
Tár is not a judgement so much as a statement you can make your own judgment about. The statement is: We're in a new world. [48] A. O. Scott of The New York Times writing from the Telluride Film Festival and later from the New York Film Festival stated:
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Howlin' Wolf, Muddy Waters, Willie Dixon, and Jimmy Reed played in Chicago in a style characterized by the use of electric guitar, sometimes slide guitar, harmonica, and a rhythm section of bass and drums. [15] In the late 1950s, a new blues style emerged on Chicago's West Side pioneered by Magic Sam, Buddy Guy and Otis Rush on Cobra Records. [16]
The actress plays wife to Cate Blanchett's orchestra conductor. It's a weathered love affair that's showing signs of fraying.