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Because Galen's works were not translated into Latin in the ancient period, and because of the collapse of the Roman Empire in the West, the study of Galen, along with the Greek medical tradition as a whole, went into decline in Western Europe during the Early Middle Ages, when very few Latin scholars could read Greek. However, in general ...
The mythology or religion of most cultures incorporate a god of death or, more frequently, a divine being closely associated with death, an afterlife, or an underworld. They are often amongst the most powerful and important entities in a given tradition, reflecting the fact that death, like birth , is central to the human experience.
The Galenic corpus is the collection of writings of Galen, a prominent Greek physician, surgeon and philosopher in the Roman Empire during the second century CE. Several of the works were written between 165–175 CE.
Dis Pater was sometimes identified with the Sabine god Soranus. [4] Julius Caesar, in his Commentaries on the Gallic Wars (VI:18), states that the Gauls all claimed descent from Dis Pater. This is an example of interpretatio romana: [5] what Caesar meant was that the Gauls all claimed descent from a Gaulish god that he equated with the Roman ...
Religious sites and rituals for the di inferi were properly outside the pomerium, Rome's sacred boundary, as were tombs. [11] Horse racing along with the propitiation of underworld gods was characteristic of "old and obscure" Roman festivals such as the Consualia, the October Horse, the Taurian Games, and sites in the Campus Martius such as the Tarentum and the Trigarium.
In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanized: Háidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and ...
The Roman deities most widely known today are those the Romans identified with Greek counterparts, integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure ...
In artistic depictions, Hades is typically portrayed holding a bident [5] and wearing his helm with Cerberus, the three-headed guard-dog of the underworld, standing at his side. Roman-era mythographers eventually equated the Etruscan god Aita [6] and the Roman gods Dis Pater and Orcus with Hades and merged all these figures into Pluto, a ...