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Photo manipulation dates back to some of the earliest photographs captured on glass and tin plates during the 19th century. The practice began not long after the creation of the first photograph (1825) by Joseph Nicéphore Niépce who developed heliography and made the first photographic print from a photoengraved printing plate.
Photomontage of kiwifruit and lemons, digitally manipulated using GIMP. Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. [1]
This category contains categories and articles relating to the theory and methodology of composing and/or taking photographs, or to their manipulation during or after processing. It should not be confused with Category:Photographic processes , which comprises articles relating to the production of images using light-sensitive materials .
The ability to create and fabricate realistic imagery digitally—as opposed to untouched photos—changes the audience's perception of "truth" in digital photography. [41] Digital manipulation enables pictures to adjust the perception of reality, both past and present, and thereby shape people's identities, beliefs, and opinions.
While the result of a scanner capture provides a work of digital art or media art, just as a digital photograph does, further manipulation of the captured image is possible as well. [1] This may be as simple as flattening the background to enhance the "floating" effect provided by the scanner to complete reworking of the image/photograph. [1] [14]
Standard digital processes include the pigment print, and digital laser exposures on traditional color photographic paper. [citation needed] Alternative processes often overlap with historical, or non-silver processes. Most of these processes were invented over 100 years ago and were used by early photographers. [2] [3]
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Many of his famous prints were manipulated in the darkroom with these two techniques. Adams wrote a comprehensive book on producing prints called The Print, which features dodging and burning prominently, in the context of his Zone System. [4] They can also be used in less subtle ways, as in the stenciled lettering shown at the top of this article.