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It portrays the unfinished outline of a young woman whose face gently gazes downward while her loosely drawn, dishevelled hair waves in the air behind her. [7] The woman's eyes are half-closed and completely ignore the outside world and viewer, while her mouth is slightly shaped into an ambiguous smile, evocative of the Mona Lisa. [3]
The whole thing was recorded and the results were turned into a six-minute film entitled Dove Real Beauty Sketches. A shorter three-minute version was also released. [7] In the films, each of the women describe themselves in a predominately negative way. For example, they use phrases such as "rounder face," "protruding jaw," and "big forehead."
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
La Bella Principessa (English: "The Beautiful Princess"), also known as Portrait of Bianca Sforza, Young Girl in Profile in Renaissance Dress and Portrait of a Young Fiancée, is a portrait in coloured chalks and ink, on vellum, of a young lady in fashionable costume and hairstyle of a Milanese of the 1490s. [1]
Edgar Degas, After the Bath, Woman Drying Herself, 1890–95, National Gallery, London. After the Bath, Woman Drying Herself is a pastel drawing by Edgar Degas, made between 1890 and 1895. Since 1959, it has been in the collection of the National Gallery, London. This work is one in a series of pastels and oils that Degas created depicting ...
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An Italian study published in 2008 analyzed the positions of the 50 soft-tissue landmarks of the faces of 324 white Northern Italian adolescent boys and girls to compare the features of a group of 93 "beautiful" individuals selected by a commercial casting agency with those of a reference group with normal dentofacial dimensions and proportions.
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