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The name Pythia is derived from "pythia hiereia" (Greek: πυθία ἱέρεια), meaning ' priestess of the Pythian Apollo '; it is related to Pythios (Πύθιος), an epithet of Apollo, itself deriving from Pytho, which in myth was the original name of Delphi. [13]
Pythias (/ ˈ p ɪ θ i ə s /; Greek: Πυθιάς, romanized: Pūthiás), also known as Pythias the Elder, she was the adoptive daughter of Hermias of Atarneus, as well as Aristotle's first wife. [1]
The Pythian Games (Ancient Greek: Τα Πύθια, romanized: Ta Pythia) were one of the four Panhellenic Games of Ancient Greece. They were held in honour of Apollo at his sanctuary in Delphi every four years, two years after the Olympic Games, and between each Nemean and Isthmian Games. The Pythian Games were founded sometime in the 6th ...
The most important oracles of Greek antiquity were Pythia (priestess to Apollo at Delphi), and the oracle of Dione and Zeus at Dodona in Epirus. Other oracles of Apollo were located at Didyma and Mallus on the coast of Anatolia, at Corinth and Bassae in the Peloponnese, and at the islands of Delos and Aegina in the Aegean Sea.
Xenoclea (Ancient Greek: Ξενόκλεια), who appears as a character in the legend of Hercules, was the Pythia, or priestess and oracle, of the Temple of Apollo at Delphi. The Delphic oracle was a historical reality and was established in the 8th century BC.
This earliest documented Delphic Sibyl would have predated by hundreds of years the priestess of Apollo active at the oracle from around the eighth century BC who was known as Pythia. [20] As Greek religion passed through transitions to the pantheon of the Classical Greeks that is most familiar to modern readers, Apollo had become the deity ...
Delphi among the main Greek sanctuaries. Delphi (/ ˈ d ɛ l f aɪ, ˈ d ɛ l f i /; [1] Greek: Δελφοί), [a] in legend previously called Pytho (Πυθώ), was an ancient sacred precinct and the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world.
Still from Universal's film Damon and Pythias (1914). In 1564, the material was made into a tragicomic play by the English poet Richard Edwardes (Damon and Pythias).; The best-known modern treatment of the legend is the German ballad Die Bürgschaft, [2] written in 1799 by Friedrich Schiller, based on the Gesta Romanorum version.