Search results
Results from the WOW.Com Content Network
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
The most common texture in Western music: melody and accompaniment. Multiple voices of which one, the melody, stands out prominently and the others form a background of harmonic accompaniment. If all the parts have much the same rhythm, the homophonic texture can also be described as homorhythmic.
"Sex Machine" remained a staple of Brown's concert repertoire until the end of his career. Live performances of the song appear on the albums Revolution of the Mind: Live at the Apollo, Volume III (1971), Hot on the One (1980), Live in New York (1981), Love, Power, Peace: Live at the Olympia, Paris, 1971 (1992), and Live at the Apollo 1995.
An Hour for Piano is deceptively simple, with six basic textures that come and go at the composer's whim. There is no order to these textures, and the transitions between them blur significantly the boundaries between them. Kyle Gann writes, "It never deviates from the key of G, though some dissonant motives wash through from time to time. The ...
It was one of three songs from the Sgt. Pepper album that was banned from playing on the BBC, supposedly because the phrase "Henry the Horse" combined two words that were individually known as slang for heroin. [7] [8] Lennon denied that the song had anything to do with heroin. [9]
The success of the song spurred Motown to program an album around it, filled with love songs. The album, My Cherie Amour , was released on August 29, 1969, with the title track leading Side 1. The single " Yester-Me, Yester-You, Yesterday " performed very well, [ 10 ] hitting number 5 on the R&B chart at Thanksgiving 1969, [ 6 ] and number 7 on ...
The song is a strong example of the influence of the blues on early jazz. There is a twelve-bar blues harmonic progression, with frequent bent notes and slides into notes. Armstrong plays second cornet on the April 6, 1923, recording, with Honoré Dutrey on trombone, Johnny Dodds on clarinet, Lil Hardin on piano, Baby Dodds on drums and Bill ...
"Outshined" is a song by American rock band Soundgarden. Written by the band's frontman Chris Cornell, the song was released as the second [3] [4] [5] single from their third studio album, Badmotorfinger (1991). It became the band's first single to reach the U.S. Mainstream Rock charts, where it peaked at number 45.