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In its sixth week on the Billboard Hot 100, "Midnight Blue" entered the Top 40 at #40 on the chart dated 14 June 1975, with the track ranked at #2 on that week's Billboard Easy Listening chart: "Midnight Blue" would spend the weeks of 21–28 June at #1 on the Billboard Easy Listening chart - eventually being cited as the #1 Easy Listening hit ...
Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]
James "Kokomo" Arnold (February 15, 1896 or 1901 – November 8, 1968) was an American blues musician. A left-handed slide guitarist, his intense style of playing and rapid-fire vocal delivery set him apart from his contemporaries.
Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings has influenced later generations of musicians.
"Midnight Blue" is a song by American rock singer-songwriter Lou Gramm, issued as a 7" single in the United States in January 1987 by Atlantic Records. It was the lead-off single from Gramm's debut album, Ready or Not, released in February 1987. An extended remix of the song was available as a 12" single.
The main melodic theme was composed by Clarke, after experimenting with fingerings on the ukulele, and the chords were written by Monk. The word " epistrophe " is defined by Merriam-Webster as "the repetition of a word or expression at the end of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect".
Lead Belly, born Huddie Ledbetter, was an American folk and blues musician active in the 1930s and 1940s. This list is incomplete ; you can help by adding missing items . ( February 2011 )
Musically, over the "along with you / Tired of midnight blue" lines of the choruses, the song drops from what author Alan Clayson terms its "'Badge'-style rhythmic lope", [20] propelled by Harrison's strong seventh chords on soul-inflected rhythm guitar and Jim Keltner's drums and cowbell, to reveal sweeping "tumbleweed" piano from Leon Russell ...
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