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The names for the two instruments in the Slavic languages are also either similar or identical. The harmonica shares similarities to all other free-reed instruments by virtue of the method of sound production. The glass harmonica has the word "harmonica" in its name, but it is not related to free-reed instruments. The glass harmonica is a ...
Instruments commonly part of the percussion section of a band or orchestra. These three groups overlap heavily, but inclusion in any one is sufficient for an instrument to be included in this list. However, when only a specific subtype of the instrument qualifies as a percussion instrument, only that subtype is listed here.
This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones and membranophones)
The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, construction, material composition, physical state, etc.), the manner in which the instrument is played (plucked, bowed, etc.), the means by which the instrument produces sound, the quality ...
These percussive instruments spread to Europe in the following centuries, but they may also have developed independently. Records published at Milan in 1492 [ 3 ] contain a woodcut depicting playing glasses as part of an experiment, and an inventory of the Kunsthistorisches Museum in Vienna compiled in 1596 [ 4 ] includes descriptions of a ...
Some acoustic instruments emit a mix of harmonic and inharmonic partials but still produce an effect on the ear of having a definite fundamental pitch, such as pianos, strings plucked pizzicato, vibraphones, marimbas, and certain pure-sounding bells or chimes. Antique singing bowls are known for producing multiple harmonic partials or multiphonics.
The Harmonic Canons (from the same root as qanún) are 44-stringed sonometer instruments with complex systems of movable bridges that were mostly positioned by Partch on harmonic nodal positions to get a just intoned harmonic relation between the left and right string part. They are tuned differently depending on the piece, and are played with ...
The "ethereal" quality of instruments such as the glass harmonica exemplified the Empfindsamkeit and for a while, "the instrument was extraordinarily popular...[but] About 1830 the instrument fell into oblivion." [1]