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No Longer Human (Japanese: 人間失格, Hepburn: Ningen Shikkaku), also translated as A Shameful Life, is a 1948 novel by Japanese author Osamu Dazai.It tells the story of a troubled man incapable of revealing his true self to others, and who, instead, maintains a façade of hollow jocularity, later turning to a life of alcoholism and drug abuse before his final disappearance.
No Longer Human (Japanese: 人間失格, Hepburn: Ningen Shikkaku) is a Japanese manga series written and illustrated by Junji Ito; it is an adaptation of the novel of the same name by Osamu Dazai. It was serialized in Big Comic Original from May 2017 to April 2018 and published in three volumes.
A number of his most popular works, such as The Setting Sun (斜陽, Shayō) and No Longer Human (人間失格, Ningen Shikkaku), are considered modern-day classics. [2] His influences include Ryūnosuke Akutagawa, Murasaki Shikibu and Fyodor Dostoyevsky. His last book, No Longer Human, is his most popular work outside of Japan.
No Longer Human, by Osamu Dazai (episode 1–4): The path of a man with intense feelings of alienation towards society and the feeling of "humanity".; In the Forest, Under Cherries in Full Bloom, by Ango Sakaguchi (episode 5–6): A forest bandit finds a beautiful maiden in the forest and takes her to be his wife, but she is more than she seems to be.
One day, after finishing his usual swim in the sea, he takes notice of a man in the changing house who is being accompanied by a foreign guest, preparing to head for the water. He sees the same man each day thereafter, though no longer with his foreign companion. After some days, he finds an occasion to make the man's acquaintance.
No Longer Human is a 2021 musical theatre adaptation of Japanese novelist Osamu Dazai's 1948 novel No Longer Human, by American composer Frank Wildhorn with English lyrics by Tracy Miller and Carly Robyn Green, and Chinese lyrics by Ya Wen and Mingzhu Zheng. [1]
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The Flowers of Buffoonery (道化の華, Dōke no Hana) is a 1935 Japanese novella by Osamu Dazai.Initially titled The Sea (海, Umi) in an early draft Dazai shared with friends, [1] the work was first published [2] in the short-lived coterie journal Nihon romanha [] and has been described as a "major contribution" to the magazine. [3]