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A Taste of Honey is an influential "kitchen sink drama". In this photo of the 1960 Broadway production, Joan Plowright plays the role of Jo, a 17-year-old schoolgirl who has a love affair with a black sailor (played by Billy Dee Williams).
Obstacle: a force opposing a character's "Objective" (or "Intention") which gives rise to dramatic tension and conflict. The Orchestra, The Stalls: seats on the lower part of the theatre. Orchestra pit: where the musicians play, usually directly in front of the stage, often sunken below the seating sections. Omnes*: in stage directions, all the ...
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The reasonably well-reviewed [7] and moderately commercially successful play ran 135 performances. [3] It is primarily known as an example of Belasco's theatrical naturalism, because he recreated a Childs Restaurant on stage using materials and food from the actual restaurant chain rather than conventional representative stage scenery. [8] [9]
The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas.
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