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The Pantheon (UK: / ˈ p æ n θ i ə n /, US: /-ɒ n /; [1] Latin: Pantheum, [nb 1] from Ancient Greek Πάνθειον (Pantheion) '[temple] of all the gods') is a former Roman temple and, since AD 609, a Catholic church (Italian: Basilica Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs) in Rome, Italy.
The doors, measuring 4.45 metres (14.6 ft) wide and 7.53 metres (24.7 ft) high, consist of two leaves. [2] The panels and lintels of the doors are made of cast bronze. Each leaf pivots on pins installed in the floor at the bottom and in the architrave at the top. [3]
Wilson Jones has published further corroboration in the volume of essays, The Pantheon from Antiquity to the Present (Cambridge University Press, 2015). Two decades of research into the nature of the orders and the Greek temple and the orders have culminated in the book Origins of Classical Architecture: temples, orders and gifts to the gods in ...
It took its name from the Pantheon, which had been converted in the 7th century AD into a Christian church dedicated to "St. Mary and the Martyrs" but informally known as Santa Maria Rotonda. [2] The piazza is roughly rectangular, approximately 60 meters north to south and 40 meters east to west, with a fountain and obelisk in the center and ...
The Pantheon's dome, the largest and most famous example, was built of concrete in the 2nd century and may have served as an audience hall for Hadrian. Imperial mausolea, such as the Mausoleum of Diocletian, were domed beginning in the 3rd century. Some smaller domes were built with a technique of using ceramic tubes in place of a wooden ...
The Roman Pantheon had the largest dome in the world for more than a millennium and is the largest unreinforced solid concrete dome to this day [1]. The Roman architectural revolution, also known as the concrete revolution, [2] is the name sometimes given to the widespread use in Roman architecture of the previously little-used architectural forms of the arch, vault, and dome.
The monument's director told Discovery, "The 50,000 spectators had a ticket that said which numbered gate arch they were supposed to enter.Inside the arena, there were other numbers to help people ...
The edifice was built between 1758 and 1790, from designs by Jacques-Germain Soufflot, at the behest of King Louis XV of France; the king intended it as a church dedicated to Saint Genevieve, Paris's patron saint, whose relics were to be housed in the church. Neither Soufflot nor Louis XV lived to see the church completed.