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A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
The surname is based on Lady Mondegreen, a character of myth and legend. Jon Carroll, columnist for the San Francisco Chronicle, periodically runs a story which gives the truth about "Mondegreen". A mondegreen is a mishearing of the lyrics of popular songs. The name itself comes from Carroll's mishearing of a line in a song from his youth ...
The American writer Sylvia Wright coined the term "mondegreen" in an essay "The Death of Lady Mondegreen", which was published in Harper's Magazine in November 1954. [7]In the essay, Wright described how, as a young girl, she misheard the final two lines of the above verse as "they have slain the Earl o' Moray, and Lady Mondegreen."
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The 2019 song Ryūgakusei (留学生) (Exchange Student) by pop-rock band Monkey Majik and singer Taiiku Okazaki is primarily sung in English, but also features Japanese lyrics, both sung and displayed as subtitles in the music video; these lyrics are very similar phonetically to the English lyrics. In this way, the song is both a traditional ...
The song's complete title is not featured in the lyrics, but there is the line "the sidewinder sleeps in a coil" as well as the later line "the sidewinder sleeps on its back". A sidewinder is a species of rattlesnake ( Crotalus cerastes ), and also an antique style of telephone, with a winding handle on the side. [ 8 ]
Tamori; Tamori Club; Mondegreen – mishearing or misinterpretation of a phrase in a way that gives it a different meaning; Homophonic translation – where a text in one language is translated into a near-homophonic text in another language, with no attempt to preserve the original meaning.
[8] [9] The title may be a mondegreen of the phrase "I love every person's insides". [10] The album was Sophie's second full-length release after the singles collection Product (2015). The album was met with widespread acclaim by critics and received a nomination for the Best Dance/Electronic Album at the 61st Annual Grammy Awards. [11]