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Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
The walls are hung with a chamois-colored wallpaper imprinted with medallions of burnished gold. It is adapted from an early 19th-century American Empire wallpaper having French influences. The upper border is a faux printed blue fabric drapery swag. The faux fabric border is similar in effect to an actual fabric border installed during the ...
The designer chose exuberant colors and patterns to fill the interiors of this Federal-style home with joy year-round, especially during snowy winters.
The first parlor, also known as the "blue room" or "Music room" features blue wallpaper inside of decorative wall moldings and is the scene of most seasonal celebrations. During the Christmas season the largest tree is placed in the bay window of this room. It houses the grand piano and Victrola, among other instruments.
Wallpaper was often made in elaborate floral patterns with primary colors (red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan. This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns.
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