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One unique outgrowth of this post-modern furniture design trajectory is Live Edge, which incorporates the natural surface of a tree as part of a furniture object, heralding a resurgence of these natural shapes and textures within the home. [1] Additionally, the use of Epoxy Resin has become more prevalent in DIY furniture styles.
Memphis was born on the evening of December 11, 1980, when Sottsass invited a group of young designers and architects to discuss the future of design. [3] Together, they wanted to change the concept of what design had been focused on, which had been Modernism and aimed to do so by creating and forming a new design collective.
Postmodernism is a term used to refer to a variety of artistic, cultural, and philosophical movements that claim to mark a break from modernism.They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world.
Since postmodernism represents a decentred concept of the universe in which individual works are not isolated creations, much of the focus in the study of postmodern literature is on intertextuality: the relationship between one text (a novel for example) and another or one text within the interwoven fabric of literary history.
Contemporary architecture is the architecture of the 21st century. No single style is dominant. [1] Contemporary architects work in several different styles, from postmodernism, high-tech architecture and new references and interpretations of traditional architecture [2] [3] to highly conceptual forms and designs, resembling sculpture on an enormous scale.
List of postmodern critics; List of postmodern writers; Postmodern literature; Postmodern art; Postmodern film and television; Graphic novel; Criticism of postmodernism; Pop culture fiction; Literary fiction
In his 2020 paper Hyperhybridism: Postmodernism is Old but not Old Fashioned [24] Ghasemi develops yet another heir to postmodernism, which he calls hyperhybridism. He formulates a cultural and literary assessment of post-postmodernism and argues that the contemporary era is defined by multidirectionality.
Theories of the Postmodern: 55–66. Surrealism Without the Unconscious: 67–96. Spatial Equivalents in the World System: 97–129. Reading and the Division of Labor: 131–153. Utopianism After the End of Utopia: 154–180. Immanence and Nominalism in Postmodern Theoretical Discourse: 181–259. Postmodernism and the Market: 260–278.