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Maurice Ravel completed his String Quartet in F major in early April 1903 at the age of 28. It was premiered in Paris in March the following year. The work follows a four-movement classical structure: the opening movement, in sonata form, presents two themes that occur again later in the work; a playful scherzo second movement is followed by a lyrical slow movement.
Pages in category "Chamber music by Maurice Ravel" The following 9 pages are in this category, out of 9 total. ... String Quartet (Ravel) T. Trois poèmes de ...
Orchestra 1907 A15: Nikolai Rimsky-Korsakov: Antar: Orchestra 1909 Incidental music to a 5-act play by Chékry-Ganem; partial reorchestration of most of the symphonic poem Antar Op. 9, the movements reordered and interspersed with reorchestrated fragments of the same work, a fragment of the opera Mlada, orchestrated fragments of songs from the Romances Op. 4 and Op. 7, and an extract from ...
John Tavener (1944–2013): Four string quartets: The Hidden Treasure – String Quartet No. 1; The Last Sleep of the Virgin – String Quartet No. 2, for string quartet and handbells; Diódia – String Quartet No. 3; The Bridegroom – String Quartet No. 4; plus other works including parts for string quartet.
String Quartet No. 1, end of movement 3 [3] String Quartet No. 4 , first movement, b. 157–160 [ 4 ] String Quartet No. 5 "The sequence of tonalities of the single sections [of the sonata form] produce the whole-tone scale". [ 5 ] "
Trois poèmes de Mallarmé is a sequence of three art songs by Maurice Ravel, based on poems by Stéphane Mallarmé for soprano, two flutes, two clarinets, piano, and string quartet. Composed in 1913, it was premiered on 14 January 1914, performed by Rose Féart and conducted by D.-E. Inghelbrecht , at the inaugural concert of the société ...
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Ravel completed his Introduction and Allegro for a septet of harp, flute, clarinet and string quartet in June 1905, dedicating it to Albert Blondel, director of Maison Érard. [2] For Ravel, composition was generally slow and painstaking, [ 5 ] but he wrote the Introduction and Allegro at what for him was breakneck speed, to complete it before ...
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