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The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte.
A steelband in Trinidad and Tobago, 2013. The steelpan (also known as a pan or steel drum) is a musical instrument originating in Trinidad and Tobago. Steelpan musicians are called pannists. In 1992, the steelpan was declared Trinidad and Tobago’s national instrument by Prime Minister Patrick Manning. [1]
Soca music, or the "soul of calypso", is a genre of music that originated in Trinidad and Tobago in the 1970s. It is considered an offshoot of calypso , with influences from West African (e.g. kaiso ) and East Indian rhythms. [ 1 ]
The Trinidad and Tobago Regiment provides the majority of the musicians who are assigned to the orchestra. Following a brief attempt create a similar type of marching band the 1960s, the TTDFSO was created on 2 June 1995 on the initiative of Chief of Defence Staff Carlton A. Alfonso and Sergeant Cecil James.
In Trinidad and Tobago, Guyana, Suriname, Jamaica, and other parts of the Caribbean, the term tassa refers to a drumming ensemble drawn from an amalgamation of various North Indian folk drumming traditions, most importantly dhol-tasha, a style that remains popular today in many parts of India and Pakistan. [1]
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early- to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
Canboulay (from the French cannes brulées, meaning burnt cane) is a precursor to Trinidad and Tobago Carnival. The festival is also where calypso music has its roots. It was originally a harvest festival, at which drums, singing, dancing and chanting were an integral part. After Emancipation (1834), it developed into an outlet and a festival ...
Canboulay (from the French cannes brulés, meaning burnt cane) [17] The festival was characterized by drums, singing, calinda dancing, chanting, and stick-fighting. [18] [19] [17] [20] Canboulay is considered is a precursor to Trinidad and Tobago Carnival, and has played an important role in the development of the music of Trinidad and Tobago.