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The culture of Cuba is a complex mixture of different, often contradicting, factors and influences. The Cuban people and their customs are based on European , African and Amerindian influences. [ 1 ]
The culture of Cuba reflects the island's influences from various cultures, primarily European (Spanish),Taino and African. One of the most distinctive parts of Cuban culture is Cuban music and dancing, being well-known far outside the country.
Cuban culture and people were formed from a mixture of indigenous people, African slaves, and European migrants. Most often residing in Cuba meant defining oneself in relation to the foreign power that controlled Cuba, such as the Spanish Empire. [ 3 ]
But Cuba was the Latin American culture most influenced by the emigration of Canary Islanders (they developed the production of sugar in Cuba), and Cuban Spanish is closest to that of the Canary Islands. Canary Islanders were viewed by other Spanish-Cubans as superstitious but also hard-working.
Afro-Cubans (Spanish: Afrocubano) or Black Cubans are Cubans of full or partial sub-Saharan African ancestry. The term Afro-Cuban can also refer to historical or cultural elements in Cuba associated with this community, and the combining of native African and other cultural elements found in Cuban society, such as race, religion, music, language, the arts and class culture.
A typical Cuban sandwich. A Cuban sandwich (sometimes called a mixto, especially in Cuba [6] [7]) is a popular lunch item that grew out of the once-open flow of cigar workers between Cuba and Florida (specifically Key West and the Ybor City neighborhood of Tampa) in the late 19th century and has since spread to other Cuban American communities.
Cuban culture encompasses a wide range of dance forms. [1] The island's indigenous people performed rituals known as areíto , which included dancing, although little information is known about such ceremonies.
In the 1920s, there were efforts to incorporate elements of Afro-Cuban culture into a wider understanding of Cuban culture, such as through the Afrocubanismo literary and artistic movement. These often drew upon Afro-Cuban music, dance, and mythology, but typically rejected Santería rituals themselves. [436]