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De Ira (On Anger) is a Latin work by Seneca (4 BC–65 AD). The work defines and explains anger within the context of Stoic philosophy , and offers advice which utilizes virtue and personal improvement in order to prevent anger .
While Seneca's plays evoke Aeschylus' Oresteia in narrative and characters, they also serve the important purpose of shedding light on unclear scenes in the original Agamemnon. Additionally, Seneca once again philosophizes the original story further, while adding more violently-detailed recounts of the murders that took place off-stage.
Epistulae Morales ad Lucilium (Latin for "Moral Letters to Lucilius"), also known as the Moral Epistles and Letters from a Stoic, is a letter collection of 124 letters that Seneca the Younger wrote at the end of his life, during his retirement, after he had worked for the Emperor Nero for more than ten years.
Lucius Annaeus Seneca the Younger (/ ˈ s ɛ n ɪ k ə / SEN-ik-ə; c. 4 BC – AD 65), [1] usually known mononymously as Seneca, was a Stoic philosopher of Ancient Rome, a statesman, dramatist, and in one work, satirist, from the post-Augustan age of Latin literature.
The influence of Chrysippus on Seneca is clearest in his long essay On Anger (Latin: De Ira). Seneca distinguishes three stages of anger as part of a chronological sequence. [105] The first stage is shock, an initial agitation or movement which is involuntary. [106]
Ancient Greek philosophers, describing and commenting on the uncontrolled anger, particularly toward slaves, in their society generally showed a hostile attitude towards anger. Galen and Seneca regarded anger as a kind of madness. They all rejected the spontaneous, uncontrolled fits of anger and agreed on both the possibility and value of ...
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Jason is made a more appealing figure by Seneca - thus strengthening the justification for, and power of, Medea’s passion. [9] Nevertheless, the increased degree of stage violence in the Seneca version, [10] and its extra gruesomeness, has led it to be seen as a coarser and more sensational version of Euripides’ play. [11]