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In Norway, the pattern was already in use prior to 1857 on sweaters from Western Norway based on Danish designs. [1] Marit Guldsetbrua Emstad (born 1841), [2] a girl from Selbu, popularized the design in 1857 when she knitted three pairs of mittens with an eight-petalled rose design (åttebladrose) and brought them to church
Tyra Shackleford (born in Ada, Oklahoma) is a Chickasaw textile artist who specializes in various hand woven techniques. Her three most prominent weaving techniques are sprang, fingerweaving, and twinning, which all date back prior to European contact, She has opened her traditional form of art to more conceptual and wearable art.
They included "Two Gray Hills" (credited to George Bloomfield, [15] Ed Davies, and local Navajo weavers, are predominantly black and white, with traditional patterns), "Teec Nos Pos" (colorful, with very extensive patterns), "Ganado" (founded by John Lorenzo Hubbell), red dominated patterns with black and white, "Crystal" (founded by J. B ...
Grand Traverse Band Kelly Church, Wasco-Wishram Pat Gold, and Eastern Band Cherokee Joel Queen all weave baskets from copper sheets or wire, and Mi'kmaq-Onondaga conceptual artist Gail Tremblay weaves baskets in the traditional fancywork patterns of her tribes from exposed film. Basketry can take many forms.
Marie Daugherty Webster (July 19, 1859 – August 29, 1956) was a quilt designer, quilt producer, and businesswoman, as well as a lecturer and author of Quilts, Their Story, and How to Make Them (1915), the first American book about the history of quilting, reprinted many times since.
The climbing form of the rose. The flower is commemorated in the Joseph Lamb ragtime composition "American Beauty Rag".. In a pastiche Ziegfeld-style number, "The Flower Garden Of My Heart" in the 1940 Rodgers & Hart Broadway musical Pal Joey, one of the six 'flower' girls appears as the American Beauty Rose.
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive.
Williams was a member of the most important family of Navajo potters, including her daughter Alice Cling and her aunt Grace Barlow. [4] Rose was trained by Barlow, and trained her daughter Cling, in turn; the three of them are credited with reviving the Navajo pottery tradition during the 20th century. [5]
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