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Visual perception is the ability to interpret the surrounding environment through photopic vision (daytime vision), color vision, scotopic vision (night vision), and mesopic vision (twilight vision), using light in the visible spectrum reflected by objects in the environment.
The notion of a "mind's eye" goes back at least to Cicero's reference to mentis oculi during his discussion of the orator's appropriate use of simile. [22]In this discussion, Cicero observed that allusions to "the Syrtis of his patrimony" and "the Charybdis of his possessions" involved similes that were "too far-fetched"; and he advised the orator to, instead, just speak of "the rock" and "the ...
Since the rise of experimental psychology in the 19th century, psychology's understanding of perception has progressed by combining a variety of techniques. [4] Psychophysics quantitatively describes the relationships between the physical qualities of the sensory input and perception. [6]
The eye-contact effect is a psychological phenomenon in human selective attention and cognition. It is the effect that the perception of eye contact with another human face has on certain mechanisms in the brain. [1] This contact has been shown to increase activation in certain areas of what has been termed the ‘social brain’. [2]
The visual system is the physiological basis of visual perception (the ability to detect and process light).The system detects, transduces and interprets information concerning light within the visible range to construct an image and build a mental model of the surrounding environment.
A familiar phenomenon and example for a physical visual illusion is when mountains appear to be much nearer in clear weather with low humidity than they are.This is because haze is a cue for depth perception, [7] signalling the distance of far-away objects (Aerial perspective).
Objects in space are evaluated on different points of the retina. Binocular disparity is crucial for the brain to develop a cyclopean image. Cyclopean image is a single mental image of a scene created by the brain through the process of combining two images received from both eyes.
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born writer, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art.