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"Video Killed the Radio Star" is a song written by Trevor Horn, Geoff Downes and Bruce Woolley in 1979. It was recorded concurrently by Bruce Woolley and the Camera Club (with Thomas Dolby on keyboards) for their album English Garden and by British new wave/synth-pop group the Buggles, which consisted of Horn and Downes (and initially Woolley).
When "Video Killed the Radio Star" became a huge commercial success, Horn and Downes realized that they needed to record more material to fill out a full album, so they wrote additional songs, during the promotion of the single, while in airport lounges, dressing rooms, rehearsal rooms and studios. [12] [13]
The Buggles are an English new wave band formed in London in 1977 by singer and bassist Trevor Horn and keyboardist Geoff Downes.They are best known for their 1979 debut single "Video Killed the Radio Star", which topped the UK singles chart and reached number one in 15 other countries and was chosen as the song to launch MTV in 1981.
Along with "Video Killed the Radio Star", the song was co-written by Bruce Woolley. "Clean, Clean" was first recorded and originally released in 1979 by Bruce Woolley and the Camera Club. It was issued as a single in the Netherlands and Japan on 7" vinyl via Epic Records. [2] It was the only song that the Buggles fully wrote as a trio.
Bruce Martin Woolley (born 11 November 1953) is an English musician, singer, songwriter, and record producer. He wrote songs with artists such as the Buggles and Grace Jones, including "Video Killed the Radio Star" and "Slave to the Rhythm", and co-founded the Radio Science Orchestra.
'In Australia, "Video Killed the Radio Star" reached number one, where it was the best-selling record for 27 years.' This has been quoted as meaning that the record was at the top of the chart for 27 years. That can't possibly be true. It must mean that it was 27 years before another record came along that outsold it.
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According to Trevor Horn and Bruce Woolley, the lyrics of the song "Video Killed the Radio Star" by The Buggles were inspired by this story of a world where audible music is superseded by developments in new technology. [2]