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Record World called it a "James Pankow tune that's done in typical Chicago fashion." [7] In 2019, Bobby Olivier, writing for Billboard, judged the song to be the group's "greatest love song, hard stop." [2] "Just You 'n' Me" was the final song played by Chicago AM radio station WLS before switching to a talk radio format in 1989. [8]
Just You and Me may refer to: . Just You and Me (Herb Alpert album) (1976); Just You and Me (2010) "Just You 'n' Me", a 1973 song by James Pankow for Chicago, covered many others ...
Parazaider performs the highly recognizable flute solo in the Chicago hit "Colour My World", which became a popular 'slow dance' song at high school proms during the 1970s. [2] [3] [4] The band's 1973 hit "Just You 'n' Me" also features a Parazaider solo, on soprano sax. In 2008, he was awarded an honorary Doctor of Humane Letters by DePaul ...
"Just You and Me, Darling" is a song written by James Brown and recorded by Brown and The Famous Flames. Released as the B-side of Brown's 1961 cover of "I Love You Yes I Do", it charted #17 R&B. [1] It also appeared on the album The Amazing James Brown.
Monk's tune was originally called "Justice" (which sounds like "Just Us", a reference to "Just You, Just Me"), then renamed "We Named It Justice", and finally "Evidence". [2] Both songs are included on the CD reissue of Monk's 1964 live album, Live at the It Club. Cliff Edwards had a hit recording of the song in 1929. [4]
"When It's Just You and Me" (song), a 1976 single by Dottie West; When It's Just You and Me, a 1977 album by Dottie West This page was last edited on 31 October ...
"When It's Just You and Me" is a written by Kenny O'Dell, and recorded by American country music artist Dottie West. It was released in October 1976 as the first single and title track from the album When It's Just You and Me. This song is important because it marked the first single released by West under her new record company, United Artists ...
An eccentric music video was released for "Where You Wanna Go" featuring the band finding themselves trapped in an Alice in Wonderland type setting. Red Wanting Blue settled into a rhythm on tour of nearly selling out venues in advance (large rock clubs and mid-sized theaters), most shows during this time period selling out by day of show.