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The fashion for women was all about letting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tiered.
[2] Knee highs became popular during the 1960s and 1970s, worn in regular knee high length or top of the knee length so they could be folded over at the top, with the increase in popularity of the mini dress and miniskirt. [citation needed] This style continued throughout the 1980s with above the knee and at the knee length dresses. And in the ...
Lady in a Fur Wrap. A woman wearing a wrap skirt. In the context of clothing, a wrap is "A loose garment or article of feminine dress used or designed to envelop or fold about the person; a shawl, scarf, or the like." [1] "a long piece of cloth worn around the shoulders for warmth or decoration, usually by women" [2]
In Shakespeare's Twelfth Night, "cross braced" garters (a long garter tied above and below the knee and crossed between), as worn by the character Malvolio, are an object of some derision. In male fashion for much of the 20th century a type of garter for holding up socks was used as a part of male dress; it is considered somewhat archaic now.
The terms breeches or knee-breeches specifically designate the knee-length garments worn by men from the later 16th century to the early 19th century. After that, they survived in England only in very formal wear, such as the livery worn by some servants into the early 20th century, and the court dress worn by others, such as King's Counsel ...
Best actress nominee Emily Blunt walked the red carpet with a dress that seemed to push the laws of physics just as much as her nominated movie, "Oppenheimer", did in its plot.
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
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