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The Polish School of Posters was an approach to poster design which started during the post-World War II period in Poland from the 1950s continuing through the 1980s.In its early years, the Polish People's Republic (PRL, 1947–1989) was in a phase of rebuilding its cultural institutions.
According to Polish author Maria Brooks, his best posters at the exhibit were a poster illustrating the arrival of the Harlem Globetrotters in Poland in 1960 (which he later donated to the Museum of Modern Art); [6] a poster called Warsaw in Art (a drawing of Warsaw's emblem, the mermaid); a UNESCO poster (a sketch of two men with an equality ...
As a graphic artist, Fangor is known as a co-creator of the Polish School of Posters. Between 1953 and 1961, he designed over one hundred posters working alongside Henryk Tomaszewski and Jan Lenica, among others. As a painter, Fangor was trained by the Polish academic and figurative artist Felicjan Szczęsny-Kowarski.
Cyrk - contemporary Polish circus posters, emerged in 1962 as a genre of the Polish School of Posters. [1] They are characterized by their display of aesthetic qualities such as painterly gestures, linear design, hand-lettering, metaphors, humor, and vibrant colors.
Maciej Urbaniec (1 September 1925 – 19 May 2004) was a Polish artist and graphic designer. He was one of the pioneers of the Polish Poster School . Early life
Rafał Olbinski (born February 21, 1943) is a Polish illustrator, painter, and educator, living in the United States. He is considered one of the major representatives of the Polish School of Posters.
The Poster Museum houses one of the world's largest collections of posters. The museum rotates its collection through permanent exhibits on Polish poster art and history, foreign poster art, and thematic exhibits. [5] Polish-Palestinian Line by Zygmunt Glinicki Hermanns & Froitzheim by Julius Klinger
Swierzy is one of the Polish School of Posters' most prolific artists, having created over 2500 posters. He employed unusual concepts with a variety of techniques, frequently mirroring Polish social history from 1950s through 1980s, with a myriad of styles: folk art from the 50s, pop art from the 60s, portraits from the 70s, and TV images from ...
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