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Since individual harmonic amplitudes are measured, it is required that the manufacturer disclose the test signal frequency range, level and gain conditions, and number of measurements taken. It is possible to measure the full 20 Hz–20 kHz range using a sweep (though distortion for a fundamental above 10 kHz is inaudible).
Distortion that is not harmonically related to the signal being amplified is intermodulation distortion. It is a measure of the level of spurious signals resulting from unwanted combination of different frequency input signals. This effect results from non-linearities in the system.
A total harmonic distortion analyzer calculates the total harmonic content of a sinewave with some distortion, expressed as total harmonic distortion (THD). A typical application is to determine the THD of an amplifier by using a very-low-distortion sinewave input and examining the output.
A distortionmeter is a level meter with two switchable parallel circuits at the input. The first circuit measures the total signal at the output of a system. (For low distortion levels this will be almost equal to fundamental). That value is adjusted to read 100% or, equivalently, to 0 dB.
An audio analyzer is a test and measurement instrument used to objectively quantify the audio performance of electronic and electro-acoustical devices. Audio quality metrics cover a wide variety of parameters, including level, gain, noise, harmonic and intermodulation distortion, frequency response, relative phase of signals, interchannel crosstalk, and more.
Loudspeaker measurement is the practice of determining the behaviour of loudspeakers by measuring various aspects of performance. This measurement is especially important because loudspeakers, being transducers , have a higher level of distortion than other audio system components used in playback or sound reinforcement.
An alternative technique, total harmonic distortion measurement, cancels out the fundamental with a notch filter and measures the total remaining signal, which is total harmonic distortion plus noise; it does not give the harmonic-by-harmonic detail of an analyser. Spectrum analyzers are also used by audio engineers to assess their work.
Objectivists claim that digital sound can have higher fidelity than analog sound because it lacks clicks, pops, wow, flutter, audio feedback, degradation, generational loss, and rumble, has a higher signal-to-noise ratio, has a wider dynamic range, has less total harmonic distortion, and has a flatter and more extended frequency response.