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Dansk: The Garden of Earthly Delights (ca. 1480-1505) af Hieronymus Bosch. Trefløjet maleri, olie på træ, 220 cm x 389 cm, der nu findes i Museo del Prado. Version i høj opløsning er fra "The Prado" på Google Earth.
Both knew his paintings firsthand, having seen The Garden of Earthly Delights in the Museo del Prado, and both regarded him as an art-historical mentor. Miró's The Tilled Field contains several parallels to Bosch's Garden : similar flocks of birds; pools from which living creatures emerge; and oversize disembodied ears all echo the Dutch ...
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Paintings by Hieronymus Bosch, as well as paintings attributed to him or his school, have been compiled by various organizations. An investigation undertaken by The Bosch Research and Conservation Project of a multitude of Bosch's paintings included dendrochronological research and made an approximate dating of the paintings possible. [ 1 ]
Christ Carrying the Cross (also referred to as Christ Bearing the Cross) is a painting attributed to a follower of Hieronymus Bosch. It was painted in the early 16th century, presumably between 1510 and 1535. The work is housed in the Museum of Fine Arts in Ghent, Belgium. Various aspects of the painting have been a source of scholarly debate. [1]
Hieronymus Bosch, General Resources, ColourLex; Bosch, the Fifth Centenary Exhibition: At the Prado; Works at Open Library; K. Katelyn Hobbs, "Ecce Homo by a follower of Hieronymus Bosch (cat. 352)" [permanent dead link ] in The John G. Johnson Collection: A History and Selected Works, a Philadelphia Museum of Art free digital publication.
Christ Carrying the Cross (Bosch, Vienna) Christ Carrying the Cross (Bosch, Madrid) Christ Child with a Walking Frame; Christ Crowned with Thorns (Bosch, El Escorial) Christ Crowned with Thorns (Bosch, London) Concert in the Egg; The Conjurer (painting) The Crucifixion of Saint Wilgefortis; Crucifixion with a Donor (Bosch)
The Haywain triptych follows a similar narrative to The Garden of Earthly Delights. The left panel shows God giving form to Eve. Unlike the Garden, though, a narrative sequence flows through the panel in different scenes. At the top, the rebel angels are cast out of Heaven while God sits enthroned, the angels turning into insects as they break ...