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Former title: Bore the title of: "Lines, written a few miles, etc." in the 1798 edition. From 1815 onward, the poem bore the current title. "Five years have past; five summers, with the length" Poems of the Imagination: 1798 The Old Cumberland Beggar 1798 Manuscript title: "Description of a Beggar" "I saw an aged Beggar in my walk;"
King James Bible [note 1] Clementine Vulgate Douay Rheims Full title in the Authorised Version; 1 Esdras: 3 Esdrae: 3 Esdras: The First Book of Esdras 2 Esdras: 4 Esdrae: 4 Esdras: The Second Book of Esdras Tobit: Tobiae: Tobias: Tobit Judith: Judith Rest of Esther: Esther 10,4 – 16,24: Esther 10:4 – 16:24: The Rest of the Chapters of the ...
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115 [16] (not all volumes are available in all languages) French: 14 The Quran: See History of the Quran: 650 >114 [17] [18] Classical Arabic: 15 The Way to Happiness: L. Ron Hubbard: 1980: 114 [19] English: 16 The Prophet: Kahlil Gibran: 1923 108 [20] English: 17 The Upright Revolution: Or Why Humans Walk Upright: Ngũgĩ wa Thiong'o: 2016: ...
It was followed in 1971 with a translation by James Cable of the Mort Artu as The Death of King Arthur. [ 66 ] Brepols published the original Old French text of the Mort Artu ( ISBN 978-2-503-51676-9 ) in 2008 and the Queste ( ISBN 978-2-503-51678-3 ) in 2012, both based on MS Yale 229 and edited by Elizabeth M. Willingham with annotations in ...
A page from British Library MS Cotton Caligula A.ii, in which Middle English tales of Libeaus Desconus, Sir Launfal and Saint Patrick's Purgatory are also found. Octavian is a 14th-century Middle English verse translation and abridgement of a mid-13th century Old French romance of the same name. [1]
Specimen of an Induction to a Poem (1816) Calidore (1816) Hadst thou Liv’d in Days of Old (1816) I Stood Tiptoe Upon a Little Hill (1816) I am as Brisk (1816) On Oxford (1817) O Grant that Like to Peter I (1817) Think not of it, Sweet One (1817) Unfelt, Unheard, Unseen (1817) In Drear-Nighted December (1817) Modern Love (1818) The Castle ...
La Comédie Humaine refers to the medieval poem Divine Comedy. Balzac’s world is grounded in sociology, not theology, where love and friendship are of prime importance and which highlights the complexity of people and the deep immorality of a social mechanism where the weak are crushed while the crooked banker and the venal politician triumph.