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Two women wearing the robe à la polonaise, literally meaning the Polish dress Jean-Michel Moreau, Le Rendez-vous pour Marly, engraved by Carl Guttenberg c. 1777.. The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, [1 ...
The men wear a blue waistcoat with embroidery and tassels, striped trousers, a krakuska cap ornamented with ribbons and peacock feathers and metal rings attached to the belt. Lachy Sądeckie live in southern Lesser Poland, especially in Nowy Sącz County and Kotlina Sądecka.
Robe à la polonaise, silk plain weave with supplementary warp- and weft-float patterning. France, c. 1775. Los Angeles County Museum of Art, M.70.85. By the mid-18th century, the mantua had evolved into a formal version principally worn for court dress. The draping of the overskirt became increasingly stylized, with the back panel of the train ...
Elaborate draping "à la polonaise" became fashionable by the mid-1770s, featuring backs of the gowns' skirts pulled up into swags either through loops or through the pocket slits of the gown. Front-wrapping thigh-length shortgowns or bedgowns of lightweight printed cotton fabric remained fashionable at-home morning wear, worn with petticoats ...
A polonaise is a garment featuring both an overskirt and bodice together. The tournure was also introduced, and along with the polonaise, it created an illusion of an exaggerated rear end. By 1874, skirts began to taper in the front and were adorned with trimmings, while sleeves tightened around the wrist area.
The polonaise is a Polish dance and is one of the five historic national dances of Poland. [6] The others are the Mazur (Mazurka), Kujawiak, Krakowiak and Oberek. [7] Polonaise originated as a peasant dance known under various names – chodzony ("pacer"), chmielowy ("hops"), pieszy ("walker") or wielki ("great"), recorded as early as the 15th ...
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