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The Times rapidly changed its mind; in July 1919 it called Holst the most intriguing of his compeers and commented, "The Planets still leaves us gasping"; [61] after hearing Holst conduct three of the movements in November 1919 the paper's critic declared the piece "the first music by an Englishman we have heard for some time which is neither ...
Holst was born in Cheltenham, Gloucestershire, the elder of the two children of Adolph von Holst, a professional musician, and his wife, Clara Cox, née Lediard. She was of mostly British descent, [n 1] daughter of a respected Cirencester solicitor; [2] the Holst side of the family was of mixed Swedish, Latvian and German ancestry, with at least one professional musician in each of the ...
Print/export Download as PDF; Printable version; ... Cultural influence of Holst's The Planets; D. The Planets discography; I. I Vow to Thee, My Country; P.
Two planets are notably not included in The Planets: Earth and Pluto. Holst had not wanted to include the Earth in his suite because the suite was based on astrology, and Earth has no astrological significance. [57] Pluto was discovered in 1930, four years before Holst's death, and was hailed by astronomers as the ninth planet.
"I Vow to Thee, My Country" is a British patriotic hymn, created in 1921 when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. The music originated as a wordless melody, which Holst later named "Thaxted", taken from the "Jupiter" movement of Holst's 1917 suite The Planets.
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This is a discography of commercial recordings of The Planets, Op. 32, an orchestral suite by Gustav Holst, composed between 1914 and 1916, and first performed by the Queen's Hall Orchestra conducted by Adrian Boult on 29 September 1918. It includes the composer's own recordings made in 1922–1923 and 1926.
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