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Claude Monet, Camille Monet On Her Deathbed, 1879, Musée d'Orsay, Paris. In 1875, Monet returned to figure painting with Woman with a Parasol - Madame Monet and Her Son, after effectively abandoning it with The Luncheon. His interest in the figure continued for the next four years—reaching its crest in 1877 and concluding altogether in 1890.
Camille-Léonie Doncieux (French pronunciation: [kamij leɔni dɔ̃sjø]; 15 January 1847 – 5 September 1879) was the first wife of French painter Claude Monet, with whom she had two sons. She was the subject of a number of paintings by Monet, as well as Pierre-Auguste Renoir and Édouard Manet .
When his wife was dying in September 1879, Monet painted her in Camille Monet on Her Deathbed (1879), noting the "blue, yellow, grey tones". Monet told his friend, French statesman Georges Clemenceau (1841–1929), that he spent the time "focusing on her temples and automatically analyzing the succession of appropriately graded colors which ...
Oil on canvas, Claude Monet, 1880, Musée Marmottan Monet, Paris Le jardin de Monet à Vétheuil, with Michel Monet and Jean-Pierre Hoschedé. Oil on canvas, Claude Monet, 1880. National Gallery of Art, Washington. Michel Monet (17 March 1878 – 3 February 1966) was the second son of Claude Monet and Camille Doncieux Monet.
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[33] [34] [32] Claude Monet's Camille Monet sur son lit de mort shows his first wife Camille on her deathbed. [32] Eugeen Van Mieghem's Facing Death depicts his wife Augustine lying sick with the disease. [32] Alice Neel's 1940 painting T.B. Harlem depicts a tuberculosis ward in New York. [8]
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The Fondation Claude Monet was created in 1980 as the estate was declared public. It soon became very successful, and now welcomes both French and international visitors from April to November. When Gérald Van der Kemp died in 2001, Florence became the curator of the Fondation Monet and continued renovating the property until her death in 2008.