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Gratias agimus tibi (Adagio: Chorus) Domine Deus (Allegro moderato: Sopranos I and II) Qui tollis (Largo: Double choir) Quoniam tu solus (Allegro: Sopranos I and II, tenor) Jesu Christe (Adagio: Chorus) Cum Sancto Spiritu (Chorus) Credo Credo in unum Deum (Allegro maestoso: Chorus) Et incarnatus est (Andante: Soprano I) Sanctus (Largo: Double ...
The music consists mostly of parodies of earlier cantata movements. [3] Bach changed the music slightly to adjust to the Latin words, but kept the original instrumentation. For instance, the opening chorus of Es wartet alles auf dich , BWV 187 , became the final movement of the Missa in G minor, Cum sancto spiritu .
Gratias tibi ago, Domine Jesu Christe, de omnibus beneficiis quae mihi praestitisti; pro poenis et opprobriis, quae pro me pertulisti; propter quae planctus ille lamentabilis vere tibi competebat. Non est dolor similis sicut dolor meus. [26] [27] The statue of St Richard near the west door of Chichester Cathedral.
Deo gratias has been set to music by several composers. Guillaume de Machaut's Messe de Nostre Dame (mid 1300s) is a complete setting of the Ordinary and thus ends with Ite, missa est. / Deo gratias, both sung in the same setting. Johannes Ockeghem wrote a setting for 36 voices (mid 1400s).
As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).
Short title: Gratias agimus tibi: Author: Ferenc Fricsay, Berlin Radio Symphony Orchestra, Chor der St. Hedwigs-Kathedrale Berlin, Maria Stader, Hertha Töpper, Ernst Haefliger, Ivan Sardi
A third aspect, "Domine Deus Filius Patris" (Lord God, Son of the Father), appear forte and with an even accompaniment in triplets. [31] The aria is, by its music of energetic syncopes, dotted rhythms and leaps, an image of a majestic heavenly king. [19]
The Missa solemnis in C major, K. 66, is a mass composed by Wolfgang Amadeus Mozart in 1769. [1] It is scored for SATB soloists and choir, violins I and II, viola, 2 oboes, 2 horns, 2 clarini (high trumpets), 2 trumpets and basso continuo.