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View of the Isenheim Altarpiece, Nikolaus Hagenauer and Matthias Grünewald, c 1512–1516. The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. [1] It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's ...
Panel of the Tauberbischofsheim Altar: Crucifixion Panel of the Tauberbischofsheim Altar: Christ Bearing the Cross. The Tauberischofsheim Altarpiece (earlier known as the Karlsruhe altarpiece or Karlsruhe panels; German: Tauberbischofsheimer Altar, Karlsruher Altar, and Karlsruher Tafeln, respectively) is a late work by the German Renaissance painter Matthias Grünewald, probably completed ...
Grünewald's John the Evangelist.This work was long thought to be a self-portrait. Matthias Grünewald (c. 1470 – 31 August 1528; also known as Mathis Gothart Nithart [1]) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century.
Mathis der Maler (Matthias the Painter) is an opera by Paul Hindemith. The work's protagonist, Matthias Grünewald, was a historical figure who flourished during the Reformation, and whose art, in particular the Isenheim Altarpiece, [1] [2] inspired many creative figures in the early 20th century. The temptation of St. Anthony from the Isenheim ...
The Heller Altarpiece was an oil on panel triptych by German Renaissance artists Albrecht Dürer and Matthias Grünewald, executed between 1507 and 1509. The artwork was named after Jakob Heller, who ordered it. Dürer painted the interior, Grünewald the exterior. [1]
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
Matthias Grünewald, Lamentation and Entombment of Christ; (predella of the Isenheim Altarpiece), 1512–15, Musee d'Unterlinden, Colmar. In 1999, Bätschmann and Griener raised the possibility that the panel was intended to form part of a Holy Tomb, perhaps as a lid to be laid over a sepulchre. [4]
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related to: matthias grunewald crucifixion