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The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also. [3] Interior of a Romanesque Church: c.1795–1800 Tate Britain, London: 61 x 50.2 Fishermen at Sea: 1796 Tate Britain, London: 91.4 × 122.2 Diana and Callisto (after Wilson) 1796 Tate Britain, London: 56.5 x 91.4 Interior of a ...
The Fighting Temeraire, tugged to her last berth to be broken up, 1838 is an oil-on-canvas painting by the English artist Joseph Mallord William Turner, painted in 1838 and exhibited at the Royal Academy in 1839.
A major exhibition, "Turner's Britain", with material (including The Fighting Temeraire) on loan from around the globe, was held at Birmingham Museum and Art Gallery from 7 November 2003 to 8 February 2004. In 2005, Turner's The Fighting Temeraire was voted Britain's "greatest painting" in a public poll organised by the BBC. [49]
Turner's watercolour, Storm at Sea. The painting depicts a paddle steamer caught in a snow storm. This marine painting is showing a Romantic era's painter's depiction of a snowstorm on water at its best, fully developing the bold, daring Romantic fantasy of Turner. Turner was unrivaled in depicting the natural world unmastered by mankind and ...
Philadelphia Museum of Art, 36.2 in (92 cm) x 48.5 in (123.1 cm) Cleveland Museum of Art, 92 cm (36.2 in) x 123 cm (48.4 in). The Burning of the Houses of Lords and Commons, 16th October, 1834 is the title of two oil on canvas paintings by J. M. W. Turner, depicting different views of the fire that broke out at the Houses of Parliament on the evening of 16 October 1834.
J. M. W. Turner, Dido building Carthage, or The Rise of the Carthaginian Empire, 1815. Dido building Carthage, or The Rise of the Carthaginian Empire is an oil on canvas painting by J. M. W. Turner. The painting is one of Turner's most important works, greatly influenced by the luminous classical landscapes of Claude Lorrain.
The Slave Ship, originally titled Slavers Throwing overboard the Dead and Dying—Typhon coming on, [1] is a painting by the British artist J. M. W. Turner, first exhibited at The Royal Academy of Arts in 1840.
The railway was among the most potent symbols of industrialisation, since this new way of transportation heavily affected industrial and social life. [4] Turner seemed to be a generation ahead of other artists, as he was among the few painters at the time to consider industrial advancement as a commendable subject of art. [2]
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