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Li'l Abner is a 1956 musical with a book by Norman Panama and Melvin Frank, music by Gene De Paul, and lyrics by Johnny Mercer.Based on the comic strip Li'l Abner by Al Capp, the show is, on the surface, a broad spoof of hillbillies, but it is also a pointed satire on other topics, ranging from American politics and incompetence in the United States federal government to propriety and gender ...
The production received rave reviews across the board, including The New York Times, which exclaimed "after 30 years of fine-tuning, Messieurs Stein and Schwartz will have the lovely little musical they always wanted", [13] The New York Daily News, by Howard Kissel, who urged "The whole thing could - and should - be moved to Broadway, where it ...
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Minneapolis-based Broadway backer Colleen "Kittie" Fahey, who became a full-time producer two years ago to raise money for "Lempicka," nominated for three Tonys, which she calls a passion project ...
Herman Ray Walston (November 2, 1914 – January 1, 2001) was an American actor and comedian. Walston started his career on Broadway earning the Tony Award for Best Actor in a Musical for his performance as Mr. Applegate in Damn Yankees (1956).
In 1932 during the depths of the Great Depression noted Broadway producers Jones and Barry are staging Pretty Lady, a musical starring Dorothy Brock. She is involved with wealthy Abner Dillon, the show's financial backer, but she is secretly seeing her old vaudeville partner Pat Denning, who is out of work.
This is a list of musicals, including Broadway, Off-Broadway, and West End musicals, as well as film and television musicals, whose titles fall into the A–L alphabetic range. This is not a complete list of musicals, and is limited to musicals that have their own articles on the English-language Wikipedia.
The show was being worked on and was headed to Broadway, [1] but Strouse gave up after his original collaborator, David Shaber, died. [ 2 ] Charles Richter, who is the theatre director at Muhlenberg College , saw the backer's audition and remembered the score being very haunting. in 2010, Richter contacted Strouse and suggested it be staged at ...
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