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Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera. The music of Carmen has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which the emotions and ...
This is a discography of audio and video recordings of Carmen, a French-language opera by Georges Bizet. The opera premiered at the Opéra-Comique in Paris on 3 March 1875. Carmen is one of the most frequently recorded operas, dating back to a near-complete German acoustical recording in 1908.
The music is taken from the 1875 opera of the same name by Georges Bizet, arranged and re-orchestrated by Tommy Desserre. The scenario is based on the 1845 novella by Prosper Mérimée . The principal roles were created for Petit's wife-to-be Zizi Jeanmaire (Carmen), Roland Petit (Don José) and Serge Perrault (Le Toréador).
Carmen: Duets & Arias is an album released in 2010 by Italian tenor, Andrea Bocelli. [2] The album is a collection of arias of Georges Bizet's opera Carmen, including duets with Welsh bass-baritone, Bryn Terfel, Russian mezzo-soprano Marina Domashenko, and Italian soprano Eva Mei, from the French opéra comique.
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
A piece of the Toreador Song's sheet music, with lyrics translated to English by Jerry Castillo, is owned by the Smithsonian Institution and kept in the National Museum of American History. [15] The series Thermae Romae Novae features an adaptation of the Toreador Song. The adaptation was specifically created for the series to reflect the theme ...
Of Horowitz's many transcriptions, the "Carmen Variations" was the only work to remain in his repertoire throughout his career. He played the Variations from his earliest concerts in the 1920s, when he delighted his audiences with the "show stopping" encore, through to his golden jubilee season in 1978, over 50 years later.
It features arias from Carmen, Werther, I Capuleti e i Montecchi, La Cenerentola, The Barber of Seville; Daniele Rustioni conducting the Royal Philharmonic Orchestra. [8] In a five star review in The Guardian , Erica Jeal wrote "Her debut solo recording perfectly showcases the glowing expansiveness, swagger and breathtaking poise of Akhmetshina ...