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  2. MP3Gain - Wikipedia

    en.wikipedia.org/wiki/MP3Gain

    MP3Gain first computes the desired gain (volume adjustment), either per track or per album, using the ReplayGain algorithm. It then modifies the overall volume scale factor in each MP3 frame, and writes undo information as a tag (in APEv2, or ID3v2 format) making this a reversible process. The scale factor modification can be reversed using the ...

  3. mp3DirectCut - Wikipedia

    en.wikipedia.org/wiki/Mp3DirectCut

    An MP3 file can be edited without transcoding. Cut, copy, paste, and volume change operations are provided; edits can be previewed, including a command that plays a segment without a selected region (previewing a cut) Audio normalization and pause detection; MP3 recording with ACM or LAME encoder (not bundled) Fast MP3 visualization

  4. ReplayGain - Wikipedia

    en.wikipedia.org/wiki/ReplayGain

    Some lossy audio formats, such as MP3, are structured in a way that they encode the volume of each compressed frame in a stream, and tools such as MP3Gain take advantage of this for directly applying the gain adjustment to MP3 files, adding undo information so that the process is reversible.

  5. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Another type of normalization is based on a measure of loudness, wherein the gain is changed to bring the average loudness to a target level. This average may be approximate, such as a simple measurement of average power (e.g. RMS), or more accurate, such as a measure that addresses human perception e.g. that defined by EBU R128 and offered by ReplayGain, Sound Check and GoldWave.

  6. MusicBee - Wikipedia

    en.wikipedia.org/wiki/MusicBee

    ReplayGain: performs normalization of volume levels among individual tracks, equalizing their perceived loudness to achieve a more seamless playlist progression. Library management: find, organize and rename music into particular folders and files based on any combination of audio tag values such as artist, album, track number, or other metadata.

  7. Audacity (audio editor) - Wikipedia

    en.wikipedia.org/wiki/Audacity_(audio_editor)

    This comes with certain benefits but means that any change made cannot be tweaked later on without undoing all changes in-between. For a long time, non-destructive editing was exclusive to volume envelopes [20] and playback rates, but since version 3, this has been extended to clip trimming [21] and effects. [22]

  8. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    Gain pumping, where a regular amplitude peak (such as a kick drum) causes the rest of the mix to change in volume due to the compressor, is generally avoided in music production. However, many dance and hip-hop musicians purposefully use this phenomenon, causing the mix to alter in volume rhythmically in time with the beat.

  9. Equalization (audio) - Wikipedia

    en.wikipedia.org/wiki/Equalization_(audio)

    Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric ...

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