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  2. mp3DirectCut - Wikipedia

    en.wikipedia.org/wiki/Mp3DirectCut

    An MP3 file can be edited without transcoding. Cut, copy, paste, and volume change operations are provided; edits can be previewed, including a command that plays a segment without a selected region (previewing a cut) Audio normalization and pause detection; MP3 recording with ACM or LAME encoder (not bundled) Fast MP3 visualization

  3. MP3Gain - Wikipedia

    en.wikipedia.org/wiki/MP3Gain

    It analyzes the MP3 and reversibly changes its volume. The volume can be adjusted for single files or as album where all files would have the same perceived loudness. It is an implementation of ReplayGain. In 2015 Debian and Ubuntu removed it from their repositories due to a lack of an active maintainer. [3] [4]

  4. ReplayGain - Wikipedia

    en.wikipedia.org/wiki/ReplayGain

    Some lossy audio formats, such as MP3, are structured in a way that they encode the volume of each compressed frame in a stream, and tools such as MP3Gain take advantage of this for directly applying the gain adjustment to MP3 files, adding undo information so that the process is reversible.

  5. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Another type of normalization is based on a measure of loudness, wherein the gain is changed to bring the average loudness to a target level. This average may be approximate, such as a simple measurement of average power (e.g. RMS), or more accurate, such as a measure that addresses human perception e.g. that defined by EBU R128 and offered by ReplayGain, Sound Check and GoldWave.

  6. MusicBee - Wikipedia

    en.wikipedia.org/wiki/MusicBee

    ReplayGain: performs normalization of volume levels among individual tracks, equalizing their perceived loudness to achieve a more seamless playlist progression. Library management: find, organize and rename music into particular folders and files based on any combination of audio tag values such as artist, album, track number, or other metadata.

  7. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    These can increase loudness of audio tracks, or level out the volume of highly-variable music (such as classical music, or a playlist that spans multiple music types). This improves the listenability of audio played through poor-quality speakers, or when played in noisy environments (such as in a car or during a party).

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  9. Portable media player - Wikipedia

    en.wikipedia.org/wiki/Portable_media_player

    There is a trade-off between size and sound quality of lossily compressed files; most formats allow different combinations—e.g., MP3 files may use between 32 (worst), 128 (reasonable) and 320 (best) kilobits per second. [67] There are also royalty-free lossy formats like Vorbis for general music and Speex and Opus used for voice recordings.

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