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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism . His work, alongside that of his wife Margaret Macdonald , was influential on European design movements such as Art Nouveau and Secessionism and praised by ...
In Belgium the most notable designer using the motif was Gustave Serrurier-Bovy After 1900, the whiplash lines became simpler and more stylized. In the Glasgow School in Scotland, the motif was used in furniture by Charles Rennie Mackintosh and in highly-stylized glass and paintings by his wife, Margaret Macdonald Mackintosh. [9]
Description: Dans le Kelvingrove Museum, l'exposition "Mackintosh and the Glasgow Style" présente l'origine du style de Glasgow, Il commente les oeuvres et la vie de l'architecte, peintre et designer Charles Rennie Mackintosh, de son épouse Margaret Macdonald et de sa soeur Frances Macdonald, en particulier leur exposition commune à la Sécession de Vienne en 1900, puis la conception des ...
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[21] [22] A recurring motif in his designs is what became known as the Mackintosh Rose or Glasgow Rose. Another important architect was George Skipper, who had a great impact on the city of Norwich. His stand out work is the Royal Arcade, Norwich which has 24 wooden bow-fronted shops with faience details designed by W. J. Neatby. [23]
Celtic revival took hold here, and motifs such as the Glasgow rose became popularised. Charles Rennie Mackintosh (1868–1928) and the Glasgow School of Art were to influence others worldwide. [1] [63] The Robert Owen Museum, Newtown, Wales, by Frank Shayler.
The Willow Tearooms are tearooms at 217 Sauchiehall Street, Glasgow, Scotland, designed by internationally renowned architect Charles Rennie Mackintosh, which opened for business in October 1903. They quickly gained enormous popularity, and are the most famous of the many Glasgow tearooms that opened in the late 19th and early 20th century.
In the luncheon room the murals and door panels had a rose pattern theme. The furniture was designed by Mackintosh, introducing for the first time his characteristic high-backed chairs. [14] In 1900 Kate Cranston gave Mackintosh the opportunity to redesign an entire room, at the Ingram Street tearoom.
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