Search results
Results from the WOW.Com Content Network
How to Stay at Home is an American animated series of short films written and directed by Eric Goldberg and produced by Walt Disney Animation Studios.The series stars Bill Farmer with narration from Corey Burton and centers on Goofy as he is forced to stay in his home due to the COVID-19 pandemic.
Search for Goofy ahh in Wikipedia to check for alternative titles or spellings. Start the Goofy ahh article , using the Article Wizard if you wish, or add a request for it ; but please remember that Wikipedia is not a dictionary .
A select few shorts during the interim period of leave featured a soundalike voice for Goofy provided by Jack Bailey. [16] [17] He began working on radio, providing voices and sound effects, including the sounds of Jack Benny's Maxwell on The Jack Benny Program, later performed by Mel Blanc. [3] [18]
These collections of prerecorded sound effects, both real and artificial, began to be referred to as stock sound effects and were organized into libraries. As their usage increased, stock sound effects libraries became the valuable assets of sound design artists and production companies. Some stock sound effects have been reused so many times ...
Pages in category "Sound effects" ... Goofy holler; H. Hanna-Barbera sound effects; K. ... Fred the Oyster sound effect.ogg 24 s; 162 KB
As was typical for the Goofy sports spoofs, most of the players' names are those of Disney staffers, including Jack Kinney, Al Bertino, Norman Ferguson, Art Riley, Bill Berg, Don DaGradi, Jack Hannah, Charles Nichols, Milt Kahl, Eric Larson, etc. Pinto Colvig had left the studio by then, so archived voice tracks were used.
Certain words in the English language represent animal sounds: the noises and vocalizations of particular animals, especially noises used by animals for communication. The words can be used as verbs or interjections in addition to nouns , and many of them are also specifically onomatopoeic .
The short was partially produced using a new "paperless" production pipeline for Disney, the first major change in production technique for hand-drawn animation at Disney since the introduction of CAPS, and was also an attempt to see if the new digital animation tools could be used to produce a short with the same graphic look as that of a late 1940s, early 1950s cartoon.