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The women's softball team is known as the White Sox, [24] and the women's cricket team is known as the White Ferns. At the 2020 Summer Olympics, New Zealand rowers wore white tops instead of black to help counteract Tokyo's hot and humid climate. [25] [26] In the 1980s, the national cricket team wore beige and brown as their colours. [27]
Takiroa Rock Art Shelter; Tāniko; Tātua; Te Maori; Te Maori: Te Hokinga Mai; Te Roopu Raranga Whatu o Aotearoa; Te Uenuku; Te Waka Toi awards; Tekoteko; Toi Māori Aotearoa; Toi moko; Toi Tū Toi Ora: Contemporary Māori Art; Tukutuku
Kahukiwa's work often deals with themes of colonialism and the dispossession of indigenous people, motherhood and blood-ties, social custom and mythology. [9] In a 2004 article, Kahukiwa implements "political activism in subject matter and method into powerful images that assert Māori identity and tradition."
The publication, Toi Tū Toi Ora: Contemporary Māori Art, was edited by Nigel Borell, designed by Tyrone Ohia and the layout by Katrina Duncan. [5]The publication won multiple awards, including Gold at the Best Design Awards 2022 (Designer's Institute of New Zealand) for 'Editorial and Books' along with Gold in the 'Toitanga' Maori design category.
Europeans began producing art in New Zealand as soon as they arrived, with many exploration ships including an artist to record newly discovered places, people, flora and fauna. The first European work of art made in New Zealand was a drawing by Isaac Gilsemans, the artist on Abel Tasman's expedition of 1642. [16] [17]
[8] [13] Jahnke is a Professor of Maori Visual Arts and PhD supervisor at Toioho ki Āpiti. [14] Giant Spinning Top, Bob Jahnke (2003) public sculpture, Woodward Lane, Wellington [14] Jahnke's artwork is usually political commenting on past, present and future colonisation and the impact of Christianity on Māori culture.
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