Search results
Results from the WOW.Com Content Network
A ukase written in the 17th-century Russian chancery cursive. The Russian (and Cyrillic in general) cursive was developed during the 18th century on the base of the earlier Cyrillic tachygraphic writing (ско́ропись, skoropis, "rapid or running script"), which in turn was the 14th–17th-century chancery hand of the earlier Cyrillic bookhand scripts (called ustav and poluustav).
A fifth form, used in the 18th century in some French italic typefaces, was a derivative either of the Schrift form of the minuscule r or of similar typefaces used elsewhere. Its form was of a backwards J set just after the same shape rotated 180 degrees. They were separated by a space smaller than their stroke width, and the whole character ...
Cursive handwriting from the 19th-century US. In both the British Empire and the United States in the 18th and 19th centuries, before the typewriter, professionals used cursive for their correspondence. This was called a "fair hand", meaning it looked good, and firms trained all their clerks to write in exactly the same script.
The Greeks eventually adapted the Phoenician alphabet around the eighth century BC. Adding vowels to the alphabet, dropping some consonants and altering the order, the Ancient Greeks developed a script which included only what we know of as capital Greek letters. [6] The lowercase letters of Classical Greek were a later invention of the Middle ...
The original Hebrew alphabet has been retained by the Samaritans. [17] The Syriac alphabet used after the 3rd century AD evolved, through the Pahlavi scripts and Sogdian alphabet, into the alphabets of North Asia such as the Old Turkic alphabet, the Old Uyghur alphabet, the Mongolian writing systems, and the Manchu alphabet.
This was replaced by Insular script, a cursive and pointed version of the half-uncial script. This was used until the end of the 12th century when continental Carolingian minuscule replaced the Insular, along with a shift in spelling conventions toward the Old French alphabet, leading to Middle English.
Fleischmann was held in great esteem by his contemporaries, his designs exerting a decisive influence in the last quarter of the 18th century. Renowned French punchcutter Pierre Simon Fournier (1712–1768), confessed to having copied Fleischmann's design, and was first to dub "contrast" types like the Fells, Caslon and Fleischmann "modern".
Georgian scripts are unique in their appearance and their exact origin has never been established; however, in strictly structural terms, their alphabetical order largely corresponds to the Greek alphabet, with the exception of letters denoting uniquely Georgian sounds, which are grouped at the end.