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A number of makers have also produced double neck basses with an 8-string bass neck (double courses, tuned in octaves like a 12-string guitar) on top and a 4-string bass neck on the bottom. Double neck basses with various other combinations exist, such as 4-string/6-string and 4-string/5-string.
Until guitarist Jimmie Webster first popularized his Illustrated Touch System in 1952, [1] all guitars had been strummed. But with Webster's single-neck touch-style guitar and then Dave Bunker's headless, [2] [3] double-neck, DuoLectar touch guitar, these new instruments, while appearing similar to traditional strummed guitars, [4] actually employed an innovative tapping technique.
Power Tab Editor is a freeware tablature authoring tool created by Brad Larsen for Windows. It is used to create guitar, bass and ukulele tablature scores, among many others. The current version uses the *.ptb file format. The Power Tab Editor is able to import MIDI tracks, and can export to ASCII Text, HTML, and MIDI formats.
Tuning machines (with spiral metal worm gears) are mounted on the back of the headstock on the bass guitar neck. The standard design for the electric bass guitar has four strings, tuned E, A, D and G, in fourths such that the open highest string, G, is an eleventh (an octave and a fourth) below middle C, making the tuning of all four strings the same as that of the double bass (E 1 –A 1 –D ...
A model with a 4-string bass and a 6-string guitar neck was called the EBS-1250; it had a built-in fuzztone and was produced from 1962 to 1968 and again from 1977 to 1978. [ 4 ] In 1963, the solid-body EDS-1275 was designed, resembling the SG model ; this version of the doubleneck was available until 1968. [ 5 ]
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C6 tuning is one of the most common tunings for steel guitar, both on single and multiple neck instruments. On a twin-neck, the most common set-up is C6 tuning on the near neck and E9 tuning on the far neck. On a six-string neck, for example, on lap steel guitar, C6 tuning is most usually C-E-G-A-C-E, bass to treble and going away from the ...
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