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  2. Hungarian minor scale - Wikipedia

    en.wikipedia.org/wiki/Hungarian_minor_scale

    Chords that may be derived from the B Hungarian minor scale are Bm(maj7), C ♯ 7 ♭ 5, Dmaj7 ♯ 5, E ♯ 6sus2 ♭ 5, F ♯ maj7, Gmaj7, G7, A ♯ m6 and more. This scale is obtainable from the double harmonic scale by starting from the fourth degree of that scale, so the C Hungarian minor scale is equivalent to the G double harmonic scale. [7]

  3. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    4-6: 0 5 6 7: Just Elektra chord: Play ... Minor Thirteenth flat ninth chord [2] Play ...

  4. Turn Me On (David Guetta song) - Wikipedia

    en.wikipedia.org/wiki/Turn_Me_On_(David_Guetta_song)

    "Turn Me On" was written by Ester Dean, David Guetta, and Giorgio Tuinfort. An additional rap was written by Nicki Minaj for the song. On an interview with Billboard, David Guetta said: "I am so proud of what Nicki did on this record because we know her for those crazy raps but the other record that we have, she is singing like—oh man.

  5. G-flat major - Wikipedia

    en.wikipedia.org/wiki/G-flat_major

    Its relative minor is E-flat minor (or enharmonically D-sharp minor). Its parallel minor, G-flat minor, is usually replaced by F-sharp minor, since G-flat minor's two double-flats make it generally impractical to use. Its direct enharmonic equivalent, F-sharp major, contains six sharps. The G-flat major scale is:

  6. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    I–V–vi–IV chord progression in C: 4: Major ... 56 sequence: I–V ... 4: Minor Irregular resolution (Type I: Two common tones, two note moves by half step ...

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  8. Enharmonic equivalence - Wikipedia

    en.wikipedia.org/wiki/Enharmonic_equivalence

    A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).

  9. Dominant seventh flat five chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_flat_five...

    In music theory, the dominant seventh flat five chord is a seventh chord composed of a root note, together with a major third, a diminished fifth, and a minor seventh above the root (1, ♮ 3, ♭ 5 and ♭ 7). For example, the dominant seventh flat five chord built on G, commonly written as G 7 ♭ 5, is composed of the pitches G–B–D ♭ –F: