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It is written in conventional ternary form. The main theme in the left hand is accompanied by syncopated chords in the right hand; it begins at measure 2 and ends at measure 6. A parallel period follows from measures 6–11, ending on an imperfect cadence. In measures 11–18, a sequential period that is based on the rhythm of the main theme ...
Its relative minor is E-flat minor (or enharmonically D-sharp minor). Its parallel minor, G-flat minor, is usually replaced by F-sharp minor, since G-flat minor's two double-flats make it generally impractical to use. Its direct enharmonic equivalent, F-sharp major, contains six sharps. The G-flat major scale is:
This chord might be notated Cm 6, Cm M6, Cmin/maj 6, Cmin (maj6), etc. Note that Cm 6 has the same notes as F 9 with the root omitted, i.e. the notes F (omitted), A, E ♭, C, and G. These notes form a tetrad with several enharmonic equivalents: C–E ♭ –G–A might be written as Cm 6, F 9, F 9 (no root), Am 7 ♭ 5, B 7 ♭ 9, A ♭ Maj7 ...
For example, the chord C 6 contains the notes C–E–G–A. The minor sixth chord (min 6 or m 6, e.g., Cm 6) is a minor triad, still with a major 6. For example, the chord Cm 6 contains the notes C–E ♭ –G–A. The augmented sixth chord usually appears in chord notation as its enharmonic equivalent, the seventh chord.
U.S. President-elect Donald Trump on Saturday demanded that BRICS member countries commit to not creating a new currency or supporting another currency that would replace the United States dollar ...
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
[4] [5] [6] Dobros use a full six-string tuning with a bottom G: G–B–D–G–B–D, low to high. The two lowest strings are, accordingly, tuned three semitones higher for the lowest string (from E up to G) and two semitones higher for the second-lowest string (from A up to B) while the highest string is tuned two semitones lower (from E ...
The fourth inversion of a ninth chord is the voicing in which the ninth of the chord is the bass note and the root a minor seventh above it. In the fourth inversion of a G-dominant ninth, the bass is A — the ninth of the chord — with the third, fifth, seventh, and root stacked above it, forming the intervals of a second, a fourth, a sixth, and a seventh above the inverted bass of A ...