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The Beatrice Kay Show; Behind the Mike; The Bell Telephone Hour; Betty and Bob; Beulah [1]: 26–27 Beyond Midnight; The Bickersons; Big Guy; The Big Show; Big Sister; The Big Story; Big Town; The Bill Goodwin Show; The Billie Burke Show; The Bing Crosby and Rosemary Clooney Show; Bing Crosby Entertains; The Bird's Eye Open House; The Bishop ...
The Big Story (radio and TV series) Big Town; Bing Crosby on Armed Forces Radio in World War II; The Bishop and the Gargoyle; Blackstone, the Magic Detective; Blind Date (radio series) Blind Date (American game show) Blondie (radio series) Blue Ribbon Town; Bob Crosby; Bobby Benson and the B-Bar-B Riders; Boston Blackie; Boston Blackie (radio ...
1940s radio programme endings (10 C) A. 1940s American radio programs (4 C, 456 P) C. 1940s Canadian radio programs (15 P) Pages in category "1940s radio programs"
Harry Babbitt; Jim Backus; Parley Baer; Bob Bailey; Jack Bailey; Eugenie Baird; Art Baker; Belle Baker; Kenny Baker; Lucille Ball; Edwin Balmer; Sam Balter; Tallulah ...
The Golden Age of Radio, also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice ...
Good News of 1938 is an American old-time radio program. It was broadcast on NBC from November 4, 1937, until July 25, 1940. As the years changed, so did the title, becoming Good News of 1939 and Good News of 1940. In its last few months on the air, it was known as Maxwell House Coffee Time. [1]
Silver Theater (sometimes written as Silver Theatre) was a radio dramatic anthology series in the United States. Originating in Hollywood, California , [ 1 ] it was carried on CBS [ 2 ] and on the Canadian Broadcasting Corporation . [ 1 ]
The Danny Kaye Show featured singing, instrumental music, and various kinds of comedy sketches. [2] In Nobody's Fool, Martin Gottfried wrote about the program: "Everything about it was to be top drawer, beginning with Kaye's then record salary of $16,000 a week (compared to the $100 apiece he had been paid for three minor CBS radio shows in 1940)."