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Sometimes the baskets produced by one tribe were indistinguishable from those made by those of another tribe. [7] Some fully feathered baskets have small, distinguishing features which suggests a specific tribal heritage. [3] Fully feathered baskets were very personal items, often given as a gift and destroyed at the death of the owner. [4]
The xerophyllum tenax protects the baskets artwork and materials when used, helpful for when boiling or holding water. Anthropologist Alfred Kroeber believed that by 1925 the Achomawi were no longer cooking in baskets, and were merely making them for sale and trade. [11]
Five of Dat So La Lee's baskets are included in a 2023 exhibition Independent 20th Century in New York City. [11] The five include a basket titled "Brotherhood of Men" which sold for $1.2 million in 2007, and a 1916 basket titled "Myriads of Stars Shine Over Our Dead Ancestors" that Dat So La Lee considered as her best work. [7]
Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
The Wintu and Their Neighbors: A Very Small World-system in Northern California. University of Arizona Press, Tucson. ISBN 0-8165-1800-9. Cook, Sherburne F. (1976), The Conflict between the California Indian and White Civilization (1st ed.), Berkeley: University of California Press, ISBN 978-0-52-003143-2; Cook, Sherburne F. (1976).
Many pieces by Native American basket weavers from all parts of California are in museum collections, such as the Peabody Museum of Archaeology and Ethnology at Harvard University, the Southwest Museum, and the Smithsonian Institution National Museum of the American Indian. California has a large number of pictographs and petroglyphs rock art.
Today, many of their baskets are housed at the National Smithsonian Anthropological Archives, University of California Berkeley, California State Parks Archives, and many other museums and universities. Louisa Francisco, a Bankalachi was well known for her wonderful baskets. Some Tübatulabal families in Kern Valley are related to Francisco.
Julia Florence Parker (born February 1928) [1] is a Coast Miwok-Kashaya Pomo basket weaver. Parker studied with some of the leading 20th century indigenous Californian basketweavers: Lucy Telles ( Yosemite Miwok - Mono Lake Paiute ); Mabel McKay , ( Cache Creek Pomo - Patwin ) and Elsie Allen ( Cloverdale Pomo ).
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