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The scenes of the Passion start in the distance at the top left with Jesus's entry into Jerusalem on Palm Sunday, passes through the town and out again to the bottom left to the Garden of Gethsemane, through the Passion scenes in the centre of the city (judgment of Pilate, the Flagellation of Jesus, Crowning with Thorns, Ecce Homo), then follows the procession of the cross back out of the city ...
The Passion of Christ (French: La Passion du Christ) is a set of ten late 15th-century, Gothic religious paintings of the Passion of Jesus now displayed in the choir of the Catholic part of Old Saint Peter's Church in Strasbourg, France. The set is classified as a Monument historique by the French Ministry of Culture since 1978. [1]
Christ of Saint John of the Cross; Christ on the Cross (Murillo) Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) The Crucifixion (Cranach) Cristo de Chircales; Crucified Christ (Cosmè Tura) Crucifix of Pisa; Crucifixion (Tintoretto) Crucifixion (Titian) Crucifixion (1933) Crucifixion (Corpus Hypercubus) The Crucifixion (Margkazinis)
In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic Flagellation of Christ on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of ...
The prime member, the Cross, had been introduced to Christian art in the 4th century as the crux invicta, a symbol of victory.As a group they have a long tradition in iconography, dating back to the 9th century; the Utrecht Psalter of 830 is an example, though the only one from the Early Middle Ages known to Gertrud Schiller.
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
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Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...