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Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
Audience analysis is a task that is often performed by technical writers in a project's early stages. It consists of assessing the audience to make sure the information provided to them is at the appropriate level. The audience is often referred to as the end-user, and all
In writing a historical poem, poets have a slightly different responsibility than do historians. A modern historian is expected to present factually correct narratives. A poet who writes historical poems can adhere to this ideal, but may also use artistic license to communicate ideas beyond mere fact, such as mythical or emotional truths.
While now used to discuss literature, the term tone was originally applied solely to music. This appropriated word has come to represent attitudes and feelings a speaker (in poetry), a narrator (in fiction), or an author (in non-literary prose) has towards the subject, situation, and/or the intended audience.
Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative parts. Rules for the construction of a tragedy: Tragic pleasure, or catharsis experienced by fear and pity should be produced in the spectator ...
By the 1970s, three main forms of poetry performance had emerged. First was the poetry reading, at which poems that had been written for the page were read to an audience, usually by the author. Poetry readings have become widespread and poetry festivals and reading series are now part of the cultural landscape of most Western societies.
Shakespeare's writing features extensive wordplay of double entendres and clever rhetorical flourishes. [27] Humour is a key element in all of Shakespeare's plays. His works have been considered controversial through the centuries for his use of bawdy punning, [ 28 ] to the extent that "virtually every play is shot through with sexual puns."
Voice is an active, physical thing in oral poetry. It needs a speaker and a listener, a performer and an audience. It is a bodily creation that thrives in live connection. The voice is the mechanism by which a "poet's voice" comes alive. [1] Reciting a poem aloud the reciter comes to understand and then to be the 'voice' of the poem. [2]